100 years from this day Will the people still feel this way And keep saying the things that they’re
Everyone said I hurt you They say that I’d desert you If I go away you know I’m gonna come back somehow Nobody knows what kind of trouble we’re in
Nobody seems to think It all might happen again
100 years from this night Would anybody change their minds? And find out one thing or two about life But people are always talkin’ You know they’re always talkin’ Everybody’s so wrong you know I’m sure it’s gonna work out right
R. M. Goetz - vocals, lead & rhythm guitars, keyboards, bass Jennifer Schmidt - drums & percussion Rob Rayshich - keyboards
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100 Years From Now I first heard this beautiful Gram Parsons song in the summer of 1975 on a hillside in Crafton Park. I can't remember the name of the local band that covered it, but ever since I've regarded "100 Years" as the penultimate psychedelic country song. (Ok, maybe secondn next to the Byrds "Wasn't Born To Follow"). Anyway, in late spring 1999 Catamount played a gig at Pluto's in the Strip. Jen's set went okay, but I died the death. I rushed songs, sang flat, broke a string. I mean, people were leaving after the 2nd song. And I don't blame them.... After this disaster I decided I didn't want to play loud music anymore. I'd been driving around in the cab for the past year and a half listening to 5D, Younger Than Yesterday, Sweetheart of the Rodeo (Mid-60's Byrds albums), and especially The Gilded Palace of Sin (Flying Burrito Bros.), the touchstone of 'cosmic american music'. Why not cover some of these simple, clear, direct, tuneful, melodious pieces of pre-post-modern americana? Living Praise Choir Mach 1 was assembled in the early spring of 2000, and after a few rehearsals we recordded a 4-song EP at barbecue Bob's during the summer of 2000. Personnel included John Fetkovich on drums and vocals, Barb Madaus on bass (she contributed a beautiful harmony on "100 years" that I almost forgot to credit her for), Rob R. on slide guitar and studio, me on vocals, guitar and concept, and the exquisite vocal stylings of Ms. Lila Sharra. On "100 Years From Now" we are joined by my buddy Max Bear from the Squares who contributed dueling mandolins. By the way, my vow to quit playing loud music lasted all of 2 weeks, as Catamount unexpectedly began what for us was a flurry of activity (gigs in Tennessee and West Virginia, CD sales) all inspired bya fortuitous association with the Postal Blowfish website.
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